F., “Helen Birch-Bartlett Memorial Collection Now Installed,” Art News 24, 31 (May 8, 1926), p. F., “Cézanne, Rousseau, Picasso,” Bulletin of the Art Institute of Chicago 20, 5 (May 1926), p. 12, 96 (ill.), as The Guitarist-Blue Period.
John Quinn, John Quinn, 1870–1925: Collection of Paintings, Watercolors, Drawings, and Sculpture (Pidgeon Hill Press, 1926), pp.Art Institute of Chicago, Modern Paintings in the Helen Birch Bartlett Memorial from the Birch-Bartlett Collection (Art Institute of Chicago, 1926), pp.Art Institute of Chicago, Annual Report 48 (1926), p.“What is Happening in the World of Art,” Sun, Mar.Bryant, Third Exhibition of Contemporary French Art (Carroll Galleries, 1915), n.pag., cat. Henri Guilbeaux, “Exposition Pablo Picasso (Vollard, rue Laffitte),” Les Hommes du Jour 3, 155 (Jan.Status On View, Gallery 391 Department Modern Art Artist Pablo Picasso Title The Old Guitarist Place Spain (Artist's nationality) Date 1903–1904 Medium Oil on panel Inscriptions signed, l.r.: "Picasso" Dimensions 122.9 × 82.6 cm (48 3/8 × 32 1/2 in.) Credit Line Helen Birch Bartlett Memorial Collection Reference Number 1926.253 Copyright © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York Extended information about this artwork The image reflects the twenty-two-year-old Picasso’s personal struggle and sympathy for the plight of the downtrodden he knew what it was like to be poor, having been nearly penniless during all of 1902. The elongated, angular figure of the blind musician also relates to Picasso’s interest in Spanish art and, in particular, the great 16th-century artist El Greco. In the paintings of his Blue Period (1901-04), the artist restricted himself to a cold, monochromatic blue palette, flattened forms, and emotional, psychological themes of human misery and alienation related to the work of such artists as Edvard Munch and Paul Gauguin. Lucca Jazz Donna 2011 ~ Piacenza Jazz 2011 ~ Napoli citta’ viva 2011 ~ Benevento citta’ spettacolo 2011 ~ Sapri jazz Waves 2012 ~ Napoli teatro festival 2013 ~ Stagione concertistica 2013 Fondazione F.M.Pablo Picasso made The Old Guitarist while working in Barcelona. The future is very bright for this multi-talented artist. She is also working on her first album as a songwriter, featuring her guitar and voice, and she will be touring North America with International Guitar Night in early 2022. She is writing a guitar instruction book for the English publisher Fundamental-Changes called “Be-Bop Scales,” which will be distributed in America. She was invited to play her music with Milan’s civic jazz band in the beautiful Strehler Theatre.Įleanora has many current solo projects. In October 2019 she won a prize for the best composition at the international competition “Jhonny Radacanu” (Romania) with her song “Senza e Ce Sta’.
In 2020 the Moroni band will do a week of concerts and masterclasses in Switzerland.Įleonora is also a composer and an arranger. They played at the leading Italian festivals with American vocalist Adrianne West, who previously worked with Barney Kessel and Joe Pass. In 2018, Eleonora received an invitation from the renowned Italian pianist Dado Moroni, who has carried on the Oscar Peterson legacy, to be part of one of his bands. They recorded an album in 2017, “Si, Cy,” a tribute to the America songwriter Cy Coleman, and continue to tour Europe. He took Eleanora under his wing and they started a solid collaboration that led them to play all around Europe and at many important festivals. He was Tom Waits’ long-time bass player, as well as playing with Ornette Coleman, Lee Konitz, and Woody Allen among others.
She met Greg Cohen during an audition in Berlin.
#THE FESTIVAL OF LIVING ART GUITARIST PROFESSIONAL#
Eleonora began her professional career as first guitar in the orchestra of Italian composer Roberto De Simone. studied at the conservatory in Naples, then at the Conservatorium Van Amsterdam with Martin Van Itterson, Jesse Van Ruller and Maarten Van de Gritten. She began playing guitar as a teenager, and from the first time she heard Jim Hall playing with Bill Evans she knew she wanted to be a jazz guitarist. Her father and sister were important painters of figurative art, but music was what attracted Eleonora. Eleonora Strino grew up in a creative household.
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